Sufism in the Moroccan folk song

Abstract

The duality of "art and religion" has received great attention since ancient times Where the prevailing belief was that art is inspiration from top to bottom and that every creator has a god or a demon who is inspired by his art and creativity. This interest has increased among many sociologists that the emergence of art took place inside the temple, the place of religiosity. Where the oldest arts such as architecture, sculpture, photography, music, dance and poetry appeared Through this study, I will try to invoke dualism itself, but in its connection with a special religious context Represented by the search for manifestations of Sufism in the body of popular songs If poetry connects the poet and his society, and religion connects people and their religious belief, then the meeting of songs with mysticism In one self, the poet will produce another picture of the possible relationship between poetry and religion, as the poet aspires through this to achieve social harmony in light of religious harmony and the consolidation of the principles of Islam and faith in the souls of members of society, i.e. (the recipient of the song).