The metasarical building and the rites of passage in the tripartite template of the pre-lslamic poem "the journey board as a model"

Abstract

Pre-Islamic poetry is full of rituals based on repetitions and transformations that guarantee ritual recognition of the texts for a factual, repetitive and fixed act each time it is repeated. It resembles the frameworks of rituals related to birth, marriage and death. The pre-Islamic poem carries in its traditional forms some rituals that begin with the stage of separation and estrangement, represented by the talisman pause, then moves on to its journey as a transient to the marginal, and then skips it to the stage of integration, and in the similarity between the tripartite pattern of the transit ritual and the Arab poem tripartite template Susan confirms that the repetition of this tripartite pattern in poems Arabic is due to its function as an appropriate template for conveying and preserving basic social information. Perhaps all the stages of the rites of passage in the pre-Islamic poems take place on a single content pattern represented in criticism and creation, life and death, or fertility and fertility. New life and a new attitude to life, and the camel is the most prominent means of the journey, as it is the bridge to cross from the world of weakness to the world of To challenge and force the bridge that carries the oppressed self to its goal, the pre-Islamic poem carries a repetitive ritual that achieved a clear meta-narrative technique through similar models and poets repeating the same creative method and the recipient acceptance of this method and its impact on him. The two researchers used the textual analysis method to reveal the rites of passage in the pre-Islamic poem, and the study reached a set of results, the most important of which is: that the triangular form of the pre-Islamic poem reflects some of the ritualistic circles in the society surrounding the poet, and that the pre-Islamic poet is passing through the poem’s three panels with a symbolic ritual, the poem carries meta-narrative symbols behind The recurring rituals of the pre-Islamic poets, the she-camel represented a bridge for the poet to cross from the marginal to the assimilation It also recommended a set of recommendations, the most important of which are: a study of meta-narrative techniques beyond the pre-Islamic poem, and work to reveal the textual connotations carried by the pre-Islamic poem ritual, the search in the pre-Islamic collective memory for the textual repetitions resulting from the meta-narrative.