Jane Austen as a Stream-of-Consciousness Novelist
DOI:
https://doi.org/10.56989/benkj.v5i11.1634Keywords:
Stream of consciousness, psychological novel, psycho-realism, interior monologueAbstract
This study examines the psychological dimensions in Jane Austen’s novels, arguing that she employed early forms of stream of consciousness before the formal emergence of psychology. While psychological novels existed before Austen, this paper highlights her contributions to the technique by analyzing Sense and Sensibility and Pride and Prejudice. Using the descriptive-analytical method, the study explores how Austen’s narratives reflect psychological realism and interior monologue. Additionally, the paper references Virginia Woolf’s critique of Austen’s style, affirming Woolf’s view that Austen mastered emotional depth in her works. The study concludes that stream of consciousness existed in literature before its formal recognition and recommends further research on the relationship between psychology, science fiction, and the modern novel.
References
Baldick, C. (2008). The Oxford Dictionary of Literary Terms (3rd ed.). Oxford University Press.
Cuddon, J. A. (1999). The Penguin Dictionary of Literary Terms and Literary Theory (4th ed.). Penguin Books.
Sherry, N. (2003). Jane Austen and Psychological Realism. Cambridge University Press.
Woolf, V. (1925). The Common Reader. Harcourt, Brace and Company.
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