The Aesthetics of Rhythmic Structure in the Speeches of the Imams (Peace Be Upon Them): A Study of Rawdat Al-Kafi by Al-Kulayni (d. 329 AH) as a Model

Abstract

The aesthetic of the infallible Imams' speech (peace be upon them) consists of several aspects, including the confrontation of rhythmic structure between sound and meaning. This confrontation forms an influential map in the mind of the addressee, as words interact with their rhythm to create an aesthetic that reflects the intended meaning and idea. The correct placement of meaning within the structure leads to harmony and eloquence through the selective use of words and structures, contributing to the stability and precision of meaning. Thus, their speeches (peace be upon them) satisfy tastes, touch emotions, and bring comfort to the soul. Their speeches align with the creative function of composition, as well as with intellectual, psychological, and social functions. Undoubtedly, this contributes to their beauty and aesthetic appeal. The research is divided into two sections: the first addresses the aesthetics of tonal frequency confrontation, while the second is titled "The Aesthetics of Confronting Sound and Meaning." These sections are preceded by an introduction explaining the concept of confrontation in sound and meaning.