The Illogical Structures in the Moroccan Theater Discourse – The Play Al-Nashbah as a Model

Abstract

This study aims to reveal the argumentative pattern throught its illogical image in the Moroccan theatre discourse according the mechanisms and techniques that aim to make minds engage in what is presented to them, and push them to accomplish the required work, wich is receiving the embedded message for the purpose of serving Moroccan society and changing its behavior for the better. For this, the methodology necessitated dividing the article into two chapters: the first; specific to the theoretical part that presents the plan drawn to follow the argumentative pattern in the dramatic text Al-Nashba, the second; it is devoted to the analytical and inductive aspect, depending on the application of non- formal pilgrim mechanisms and how it is passed on directed intentions and its positive impact on the recipient.

The study reached a number of results, the most important of which are: the possibility of pilgrims working with their logical and illogical dialectical mechanisms on fictional literary/ artistic texts.